#40: Charles Laughton Never Gave the Same Performance Twice
Charles Laughton believed repetition killed truth. On set, he deliberately changed his performance from take to take, adjusting tone, timing, and physicality so dramatically that directors never knew what they were going to get.
In films like The Hunchback of Notre Dame and Witness for the Prosecution, this unpredictability produced startling results. Laughton trusted instinct over consistency, frustrating crews but creating performances that felt alive, unstable, and impossible to forget—much like the man himself.
